Very Sexy 2011
Directed by Michael Bay
Fabulous: Behind The Scenes
Very Sexy 2011
Directed by Michael Bay
Fabulous: Behind The Scenes

I’ve seen things you people wouldn’t believe. [...] All those moments will be lost in time… like tears in rain… Time to die.
–Batty
Ridley Scott diente laut IMDB insbesondere der Comic Strip “The Long Tomorrow” von Moebius sowie Edward Hopper’s Gemälde “Nighthawks” als Inspirationsquelle und visuelle Referenz für die Blade Runner Optik.




Auf die Frage, welche Vorteile er darin sieht, sich sein Wissen übers Filmemachen selbst angeeignet zu haben:
A very organic approach to understanding all the different bits of the craft. I’m interested in every different bit of filmmaking because I had to do every bit of it myself—from sound recording and ADR to editing and music. [...] And it meant that absolutely everything I did was simply because I was passionate and wanted to try stuff. You’re never going to learn something as profoundly as when it’s purely out of curiosity.
–Christopher Nolan (im Interview mit der DGA)

Auf die Frage mit welchem Equipment er arbeite:
What really matters is the human behind the machine. The artist that can make his or her visions come to life. I’ve worked with a lot of great artists and I’ve seen some ridiculous work made out of a regular applications. Your biggest creative asset is yourself. The minute you rely on plug-ins your finished.
–Josh Bodnar (im Interview (Part 1 / Part 2) mit Deyson Ortiz)
Dexter – Main Title Sequence
Edited by Josh Bodnar
The Killing – Main Title Sequence
Edited by Josh Bodnar
Microsoft – Road Trip
Edited by Josh Bodnar
Mitte April ’12 habe ich in Zusammenarbeit mit Regisseur Paul Hauptmann das offizielle Musikvideo Umbrella für die Band The Baseballs geschnitten.
CREDITS
Produced & Directed by
Paul Hauptmann
Edited by
Sebastian Wiegmann
Music by
The Baseballs

What do I learn at school that I can’t teach myself?
–Rodrick Heffley (in Diary of a Wimpy Kid: Rodrick Rules)
Eine berechtigte Frage mit der sich jeder Schüler, Lehrer und jedes Elternteil einmal auseinandersetzen sollte. Warum gehen wir überhaupt noch zur Schule? Was lernen wir dort? Sind nicht alle Antworten bloß noch eine Suchanfrage bei Google entfernt? Geht es ums Zeugnispapier oder den guten Schulabschluss, der allein uns angeblich erst bemächtigt, unsere Träume zu verwirklichen?
Ich für mich weiß, dass die Freundschaften und Kontakte, die ich während meiner Schullaufbahn geschlossen habe, das wirklich Entscheidende gewesen sind. Nach meiner Mathenote, meinem Zeugnispapier oder meinem Schulabschluss hat mich bis heute keiner gefragt. Und warum? Weil es für meine Filmemacherei keine Rolle spielt.
Light to me is where everything begins and ends. Light is first for a reason especially with black and white, because it does so much to the form and the image. I want drama and I want direction. I want powerful light coming. And one thing that I learned long ago was to shoot into the light.
–Daniel Milnor (MilnorPictures.net)
Frankly, it isn’t rocket science. By owning your own media (in this case, blogging), you own your own platform. Own your own platform, and you own your own career. Own your own career, and you own your own life. Own your own life, and that, my friends, is what freedom is all about.
–Hugh McLeod (in Freedom Is Blogging In Your Underwear)

Directed by David Fincher
Advertising has us chasing cars and clothes, working jobs we hate so we can buy shit we don’t need. [...] We’ve all been raised on television to believe that one day we’d all be millionaires, and movie gods, and rock stars. But we won’t.
–Tyler Durden

Crank 2

Directed by Mark Neveldine & Brian Taylor
Gamer

Directed by Mark Neveldine & Brian Taylor
Panasonic Lumix G2 Commercial
Directed by Mark Neveldine & Brian Taylor
Wenn ich mal groß bin, möchte ich genauso cool sein wie Mark Neveldine und Brian Taylor.
Photography Tips & Tricks by Nick Fancher
Well done.